Page 26 - Studio International - January 1965

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also a director of the Galeria Bonino, a New York attention to the new generation in England, and one
gallery which shows Canadian and South American show early this year will be of works by Elisabeth Frink.
artists. Other ties with New York, through agreements Walter Moos has long since found his move from New
with the Castelli, Green, Janis and Stable Galleries, York justified, and sees the barometer continuing
makes the Jerrold Morris one of the most exciting upwards as Toronto's old Puritanism gives way to a
venues, and contributes an important measure to Tor­ more Cavalier spirit. 'Not that buying here has reached
1 onto's new status among the art centres of the world. the exuberance of Montreal,' he says, but he believes
Joyce Wieland Another expatriate to have discovered Toronto's that in the range of its exhibitions Toronto is already
New Yak City. 1963
52 X 36 in. fermentation is Walter Moos of the famous Swiss art­ ahead of the French Canadian city.
Isaacs Gallery deale1 family (Max Moos is his uncle). Monsieur Moos At least one Montrealer in broad agreement is Simon
moved to Toronto from New York in 1959 and opened Dresdnere, who runs galleries in both places. He too
2 his gallery in the fashionable 'village· area, among the finds more verve in Montreal and is enthusiastic about
Krystyna Sadowsl<a sidewalk cafec; of Yorkville Avenue. The gallery shows the way the press and radio there give greater space to
Metal Sculpture
6½ ft. high on the one hand contemporary Canadians like Jean the fine arts. But he estimates Toronto buying potential
Dorothy Cameron Gallery McEwan, Yves Gaucher, Mashel Teitelbaum, Girshon to be greater, and now spends the biggest proportion of
lskowitz and Ina Meares, a one-time pupil of David his time in the gallery he opened here in 1961. Besides
3 Bamberg, and, on the other, established Europeans like a preference for work from Montreal, the Galerie
Richard Turner Giacometti, Dubuffet, Appel, Hartung and Tapies, Dresdnere runs two shows a year in conjunction with
Gesture I. 1962 whose latest one-man show was last November. Like
Cast concrete fondu 51 in. high the O'Hana Gallery of London and has an occasional
Dorothy Cameron Gallery the Jerrold Morris Gallery, the Moos is also turning its liaison with other London dealers, recently producing
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