Page 45 - Studio International - January 1965
P. 45

Paris  commentary






          Poliakoff               insects.  a  kind  of  zoology  with  shapes  of  botanic  Wolman)  has  signed  an  armistice  to  show  with  the
          Composition abstracte,  1 964   ambiguity  as  with  Germaine  Richier.  the  lines  inter­  others. but not without insulting them copiously in the
          Galerie de France
                                  mingle but in a neat. clean style. without romanticism.   catalogue; for the reciprocal excommunication and the
                                   Now  it  is  time  to  come  to  the  Lettristes.  who  are  internal discord provide the fuel of the movement
                                  impatient  For  a  long  time  resolute  to  reduce  to  their   But all are in accord with the basic principle to express
                                  terms.  the  critics.  the  dealers.  France  and  the  entire  poetically and plastically. through the sole recourse to
                                  world.  resorting  to  night  telephone  calls  to  reticent  the chosen resources of the letter and of the alphabet.
                                  critics. to individual listing of their enemies· names and  of the ideogram and of the hieroglyphics. in combining
                                  to  public  address.  the  Lettristes  have  just  gained  a  in coding and decoding ad infinitum. these elements in
                                  position  of  importance  in  crossing  the  threshold  of  all  possible  systems  of  notation  and  writing.
                                  the  Galerie  Stadler.  In  installing  themselves  there.   For  they  paint  also.  the  Lettristes  and  sculpt  When
                                  with  the  complicity  of  Michel  Tapie.  on  the  gallery  several years ago in  Italy and in France.  (notably at the
                                  walls. they have had a kind of revenge.           Galerie du  Fleuve)  a new tendency to incorporate the
                                   This position they have not conquered like a charge of  signs and graffiti in abstract painting (Novelli. Twombly
                                  cavalry  but  after  a  long-winded  progression  through  etc.)  there  was  a  great  outcry.  The  Lettristes  called
                                  less  and  less  obscure  galleries  in  the  same  quarter.   'thief and began to exhibit most notably at the Salon
                                  These furious  Mandarins of the letter and the sign call  'Comparaisons·  to  demonstrate  their  prior  claim.
                                  themselves  Pomerand.  Roberdhay,  Sabatier.  Spacagna   Today  they  reproach  the  critics  for  having  ignored
                                  and especially  Isidore lsou and  Maurice  Lemaitre.  two  them  when  they  were  unknown  and  in  difficulties.
                                  of them recognisable by a striking mixture of sweetness   A  good  polemic  a:gument  but  with  erroneous
                                  and  roaring  aggression.  The  dissident  trio  of  the  imputation:  if  one speaks today of  the  Lettristes.  is it
                                  · Deuxieme  internationale  lettriste'  ( Brau.  Dufrene.  p3rhaps  because they  have  made  progress.   ■































































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